Tim Rollins and K.O.S.
Invisible Man (after Ralph Ellison), 2015
Indigo and matte acrylic on book pages on panel
36 x 36 inches (91.4 x 91.4 cm)
Courtesy Studio K.O.S., Lehmann Maupin, New York and Hong Kong
© Tim Rollins and K.O.S
Photograph by Michael Thomas


The Pulitzer Arts Foundation is an art museum located in the heart of St. Louis. When you visit the museum, you can expect to see art in a unique and dynamic setting in the museum’s celebrated building designed by Tadao Ando, featuring abundant natural light and a central reflecting pool. Exhibitions include contemporary and historic art from around the world along with a wide range of free public programs, including music, literary arts, dance, wellness, and cultural discussions. Founded in 2001, the Pulitzer is a place where ideas are freely explored, new art is exhibited, and historic work reimagined.

In addition to the museum, the Pulitzer campus has several outdoor spaces, including Park-Like–a native plant rain garden, the Spring Church–a roofless pavilion and beloved landmark, and the Tree Grove–a quiet, shady picnic spot.


The idea for the Pulitzer, which opened in October 2001, dates to the early 1990s, when Emily Rauh Pulitzer and Joseph Pulitzer Jr. sought to establish a permanent space in which to display their art collection. Purchasing property in St. Louis’ Grand Center Arts District, the Pulitzers hoped to contribute to the creative revitalization of this once-thriving entertainment district. In 1991, they commissioned Tadao Ando to design the space, which would become his first free-standing public building in the United States. Over the course of some ten years, the premise for the space evolved into a non-collecting art museum that would organize and present special exhibitions of historic and contemporary art from around the world, as well as a range of creative, participatory public programs that engage St. Louis’ many communities.

To complement the precise lines and contemplative spaces of Ando’s design, Emily Pulitzer invited Richard Serra and Ellsworth Kelly to create artworks for the building. Kelly’s site-specific wall sculpture Blue Black was created for a large wall beneath a narrow skylight in the Main Gallery. Serra’s Joe—named in homage to the late Joseph Pulitzer Jr., and part of the artist’s acclaimed series of torqued spirals made of weathering steel—was installed in the courtyard. In each instance, Ando and the artists collaborated in ways that enhanced the experience of both the art and the architecture.

When the Pulitzer opened, Ando’s building became a superb place to present art as well as a defining feature of the museum. Spacious galleries illuminated by abundant and ever-changing natural light combine with a central water court to create multi-layered experiences of the art within. In 2015, the Pulitzer transformed its lower level into public spaces and new galleries, expanding the museum’s exhibition space by nearly fifty percent.

From its beginning, the Pulitzer has presented a wide range of exhibitions featuring art from around the world—from Old Masters to important modern and contemporary artists—and exploring a diverse array of themes and ideas. Highlights have included the exhibitions Ruth Asawa: Life’s Work (2018-19); Blue Black, curated by artist Glenn Ligon (2017); Medardo Rosso: Experiments in Light and Form (2016-17); raumlaborberlin: 4562 Enright Avenue (2016); Reflections of the Buddha (2011-12); Urban Alchemy / Gordon Matta-Clark (2009-10); and Brancusi and Serra in Dialogue (2005). In addition, these exhibitions are complemented by programs that bring together leading figures from fields ranging from art, architecture, design, urban planning, and others.

More than twenty years after it was first imagined, the Pulitzer remains a museum where ideas are freely explored, new art is exhibited, and historic work reexamined, maintaining its focus on bringing art and people together.